DaVinci also offers a good working area with nice graphics capabilities for their users.ĭaVinci Resolve vs Final Cut Pro Comparison TableĬomparison between DaVinci Resolve vs Final Cut Pro are given below: Final Cut Pro has a good customized user interface which gives you a smooth working environment.In this sequence, you will find that Final Cut Pro has a magnetic timeline while DaVinci Resolve has a non-linear timeline which is a big difference in them. Final cut Pro is focused on professional editing not only professional editing but it also designed for beginners to develop their skills to become a good video editor. DaVinic resolve is not much popular as Final Cut Pro.Not only preset you can also set parameters of that preset according to your requirement because it offers adjustable parameters. Final Cut Pro gives you low rendering and exporting times for high-resolution videos which may not good thing for you whereas DeVinci Resolve is a great product for those who want a high level of color correction in video editing and can have lots of of of preset for these color correction features.On another hand, if you are looking to purchase it after the trial period you can pay $299.99 for Final Cut Pro X and $199.99 for Logic Pro X and can have all the advanced features of it. It generally offers 30 days trial version to its users but under some terms and conditions, you can extend it. Final Cut Pro X offers many numbers of good things to you that, same as DaVinci you will both free and commercial package in it but the good thing about it is that you can extend its free trail up to 90 days which is a pretty good time to develop your video editing skill with it. The first one is if you want to learn it and use it for non-commercial purposes then you can have it free of cost with limited features but if you want to use it for commercial purposes with advanced features then you have to pay $357.01 and can enjoy it in your work. For having DaVinci Resolve in your hand you have two choices.If you have any comments about this article, or if you would like us to cover another topic in another video, please share with us below. In Part 2, we will look at best practices for bringing the project back into FCPX, from Davinci Resolve 15. In the past, roundtripping to Resolve from almost any NLE has been a slightly thorny subject, but Final Cut has managed to step up their game significantly and make this process overall much smoother than it has been before, making it much easier to use Resolve for smaller projects with a short deadline.įor a great introduction to Resolve’s color grading tools, check out this tutorial series: Generators (Will be replaced with a blank dummy generator) Position, rotation and scale transformations (It’s still generally a good idea to check these anyway)Ĭolor adjustments made outside the color board (Color wheels, color curves and hue/saturation curves) Opacity changes, both those made with the fade handles and those manually made with keyframesĬompound clips (Can be manipulated by right clicking the clip in the timeline and choosing the Decompose in Place option) Below is a list of some things that do and do not transfer when using FCPXML to send a project from from Final Cut 10 to Resolve:Ĭolor adjustments made in the Final Cut color board Previously, things like time remaps and crossfades might not have translated properly, meaning they would need to be baked in before exporting the XML. Several improvements have been made in recent years regarding what will and will not transfer when roundtripping to Resolve.
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